Autocomplete
|
Fan Letters, along with a number of collaborators, is developing an ambitious new multi-media opera, titled Autocomplete. Autocomplete is set in a barely inhabitable post-apocalyptic landscape overrun by robotic automation, artificial intelligence, and the effects of climate change. Through this lens, the work explores miscommunication, community, and the limits of technology. The work is divided into two acts. The first act is set in the remains of an abandoned city bus, which the protagonists call home. Through a combination of interactive video elements, music, and dance, the characters debate survival in the tiny, enclosed community. As environmental risks increase, they are forced to leave the relative safety of their makeshift home in search of a better one, and exit into the dangerous outside world. In the second act, electronic audio processing and synthesis paired with unique, custom-built instruments sonically expand the musical themes of the first act. The audience will be surrounded by video projections and spatialized electronics in combination with the amplified musicians. The visual elements are drawn from a wide range of source material, including the aesthetics of contemporary communication networks. As the work unfolds, the meaning of the work’s visual and aural symbols mutate, and the audience’s understanding of this community’s world becomes unmoored. |
Autocomplete is being choreographed by The Median Movement: |
Artistic Directors Choreographers Composer Video and Set Design Dancers Singers |
Autocomplete was created in part at The Watermill Center – a laboratory for performance. (2017) |